When Reason first came out it was a music software revolution. Created by the Swedish group Propellerhead Software, it provides everything that music software are expected to have, such as the synthesizers, samplers, sequencers, mixers, effects, etc., but presents them in a brand new way and with superior quality.
The Reason software can be used as your own virtual music studio without having to sacrifice any main features that you might find in a brick and mortar studio. It can also be combined with other sequencing software in order to create your own unique sounds that can't be found elsewhere.
It all started back in 2000 with the release of Reason 1.0. The number one element which caught everyone's attention was the virtual studio rack, where you could insert your choice of effects and virtual instruments. This studio rack looked exactly like the real thing, complete with wobbling cables at the backside!
Ever since that powerful debut, there have been four more versions, the latest being Reason 5.0 which was released late 2010. Of course, Reason 5.0 is overflowing with new features, such as the Kong Drum Designer, Dr. Octo Rex, Neptune Pitch Adjuster, and so much more! All these features come with cool sounding names too.
The Neptune pitch adjuster is one of the new effects available only in Reason 5.0, which allows you to auto tune the vocal track. It also contains a voice synthesizer by which you can create new harmonies using your vocal tracks and MIDI keyboard. This is a fitting addition to all the great quality effects of Reason such as the chorus, reverb, vocoder, etc.
The only criticism against Reason 5.0 is its inability to record audio. I guess the guys at Propellerhead are still stubborn in that way. You can still get around it though. Another sign of the priorities of the Propellerhead people is that Reason 5.0 still doesn't support third party plug-ins, making Reason 5.0 very self-contained and one of the most stable music softwares out there.
The bottom line is that with the affordable price tag and the quality set up, you can't go wrong when investing in this new software.
The Reason software can be used as your own virtual music studio without having to sacrifice any main features that you might find in a brick and mortar studio. It can also be combined with other sequencing software in order to create your own unique sounds that can't be found elsewhere.
It all started back in 2000 with the release of Reason 1.0. The number one element which caught everyone's attention was the virtual studio rack, where you could insert your choice of effects and virtual instruments. This studio rack looked exactly like the real thing, complete with wobbling cables at the backside!
Ever since that powerful debut, there have been four more versions, the latest being Reason 5.0 which was released late 2010. Of course, Reason 5.0 is overflowing with new features, such as the Kong Drum Designer, Dr. Octo Rex, Neptune Pitch Adjuster, and so much more! All these features come with cool sounding names too.
The Neptune pitch adjuster is one of the new effects available only in Reason 5.0, which allows you to auto tune the vocal track. It also contains a voice synthesizer by which you can create new harmonies using your vocal tracks and MIDI keyboard. This is a fitting addition to all the great quality effects of Reason such as the chorus, reverb, vocoder, etc.
The only criticism against Reason 5.0 is its inability to record audio. I guess the guys at Propellerhead are still stubborn in that way. You can still get around it though. Another sign of the priorities of the Propellerhead people is that Reason 5.0 still doesn't support third party plug-ins, making Reason 5.0 very self-contained and one of the most stable music softwares out there.
The bottom line is that with the affordable price tag and the quality set up, you can't go wrong when investing in this new software.
About the Author:
If ever you've made the choise to unlock your music making creativity, then just check out Reason 5.0 on your own. read other subjects by the same author here.
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